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"Genius Turtle" for Master Roshi AKA Kame-Sennin."Songoku", "Songohan" and "Songoten" for Son Goku, Gohan and Goten."Crystal Balls" for Dragon Balls, but some episodes do use the term Dragon Ball.(For the record, France has long since been using the correct Japanese names.) This was done to preserve continuity between the dubs of three series, however this also means that some of the franchise's signature words like "Saiyan" are never spoken in any of the Hungarian dubs. Due to executive pressure from the distributors, the Hungarian dub kept some of the now infamous French-derivative names and other errors from their old dubs of Яйця Дракона (1986) and Dragon Ball Z: Doragon bôru zetto (1989), which were originally taken from the AB Groupe's childish, mistake-filled French dubbing. At the same time, however, the construction of a new sociology of music is not without its perils. Such work is better placed, it is argued, to represent music as an animating force in everyday life, including its specific mediating qualities ‘in action’. The article engages with some recent contributions to the music/society debate from figures in the UK and France, and points to the ways these contributions move debates on musico-social relations into territories more sensitive to the complex mediating qualities of music. The idea is to show the reaction to and treatment of Bourdieu’s ideas as a gauge of where we are in the sociology of culture, the various strands of influence that emanate from his work, and to assess what is at stake in a ‘post-Bourdieu’ moment when a position once considered progressive and critical now acts as the foil against which new work is being conducted. This paper reviews the status, position and legacy of Bourdieu in the sociology of music, the waxing and waning of his influence and the recent move away from Bourdieu towards something like a post-critical engagement with musical forms and practices. The bike itself was one heck of a machine. It was even made famous by the likes of stunt riders Arto Nyquist and Doug Domokos (go search for some brill old school footage of these two in action, on the six-cylinder Kawasaki…) Kawasaki themselves would trump the Four with their 1972/73 Z1 of 903cc but as the 1970s progressed, so did cubic capacity… Honda released their 999cc GoldWing in 1974 and then the CBX1000 six-cylinder in 1978… which was ironically just a year before the Big K released their own six-cylinder effort, the Z1300…Ĭlearly both Jap sixes (let’s ignore the Benelli Sei yes?) were developed in an overlapping fashion, but while the CBX came and then (by 1982) went, the big Kawasaki lasted until 1989 in various guises. The Z1300 came about, most probably, as a result of the superbike race begun by Honda in 1969 with its CB750. It’s fair to say that Kawasaki’s amazing liquid-cooled six-cylinder monster was a beast, a behemoth, a leviathan of largess! And – while many said it was too big, daft, didn’t handle and (later) that it was an anachronism – it still managed to last in Kawasaki’s product range for around a decade and outlive its contemporaries. HUGE is not a big enough word for Kawasaki’s Z1300… even with us putting the caps-lock on! CB-NET delves into the past to give you an idea of what came when in the classic world: this time – Kawasaki’s massive Z1300! * Where transpose of Count On Me sheet music available ( not all our notes can be transposed) & prior to print. Be careful to transpose first then print (or save as PDF). If your desired notes are transposable, you will be able to transpose them after purchase. If you selected -1 Semitone for score originally in C, transposition into B would be made. This means if the composers started the song in original key of the score is C, 1 Semitone means transposition into C#. If it is completely white simply click on it and the following options will appear: Original, 1 Semitione, 2 Semitnoes, 3 Semitones, -1 Semitone, -2 Semitones, -3 Semitones. You can do this by checking the bottom of the viewer where a "notes" icon is presented. Most of our scores are traponsosable, but not all of them so we strongly advise that you check this prior to making your online purchase. If not, the notes icon will remain grayed. If transposition is available, then various semitones transposition options will appear. In order to transpose click the "notes" icon at the bottom of the viewer. After you complete your order, you will receive an order confirmation e-mail where a download link will be presented for you to obtain the notes. 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